Dallas School of
Photography
© Sil Azevedo Studio Page 500 Exposition Ave #104 Dallas TX 75226 972 754-3258 email us
A school of photography in Dallas hosted by the Sil Azevedo Studio for those who would like to learn and explore the world through the photographic medium. We offer beginner to advanced workshops with a very personal touch: small groups in an intimate setting where learning and personal artistic growth truly takes place. We meet at the Sil Azevedo Studio at 500 Exposition Ave close to downtown Dallas.
Topics include:
· Photography as a means of self discovery
· History and Masters of Photography
· Intro to Digital Capture and Editing
· Advanced Digital Photography
· Adobe Lightroom and Photoshop
· Studio Shooting
· The Art of Portrait photography
· Travel photography
· Portfolio development
· Special thematic workshops such as Nature Photography, Urbanscapes and Abstracts
Our focus is photography as an art form. Our vision is to form a community of likeminded people who will enjoy unlimited possibilities of the photographic medium.
We will also be offering the intensive weeklong workshop for those considering photography as a career path, entitled: So You Wanna Go Pro?,
|
A few Favorite Quotes |
|
Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.
Like a boxer trains for a fight a photographer needs to practice by getting out and taking pictures every day. It doesn't matter how many he takes or if he takes any at all. It gets you prepared to know what you should take pictures of or what is the right thing to do and when.
When people look at my pictures, I want them to feel the way they do when they want to reread a line of a poem.
“I’ve told people in my workshops, over and over again, “if I were choosing between a photographer with a lot of talent and a photographer who was utterly dogged, I’d take dogged every time. These are the people who will keep going back and back and back. Steve McCurry has said that people often want to know how he takes the really good pictures. But he says they don’t really want to know what I do, because if I tell them what I really do—that I go back over and over again—that’s not the answer they want to hear. It’s a remarkably big part of it. Just be absolutely dogged about it. Students and other photographers want to believe in the romance of the moment—that we just happened to get the picture. The idea of the once-in-a-lifetime shot. If I do my job right, it’s my job to go out every day and get once-in-a-lifetime shots.” National Geographic Veteran Photographer – for whole article, click here
Also, see what-i-learned-from-steve-mccurry
|
Recommended Cameras
by
KenRockwell.com
|
Recommended Exhibits & Events at local Galleries: |
|
|
There is always something great at
|
|
|
Still online:
Photographic Reflections by Sil Azevedo
|
|
|
|
|
|
Featured Photographers: |
|
|
Robert Capa
Robert Capa (October 22, 1913 – May 25, 1954) was a Hungarian combat photojournalist who covered five different wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe, the 1948 Arab-Israeli War, and the First Indochina War. He documented the course of World War II in London, North Africa, Italy, the Battle of Normandy on Omaha Beach and the liberation of Paris. His action photographs, such as those taken during the 1944 Normandy invasion, portray the violence of war with unique impact. In 1947, Capa co-founded Magnum Photos with, among others, the French photographer Henri Cartier-Bresson. The organization was the first cooperative agency for worldwide freelance photographers. Source: Wikipedia
John Wimberley's photographs are populated by an abundance of pictorial elements: clouds, rocks, ravens, stones, mists, trees, grains of sand, feet; and it's extraordinary how he repeatedly gets these elements to work in his photographs…
Yousuf Karsh (1908-2002) is one of the masters of 20th century photography. His body of work includes portraits of statesmen, artists, musicians, authors, scientists, and men and women of accomplishment. His extraordinary and unique portfolio presents the viewer with an intimate and compassionate view of humanity.
Celebrating the 50th Anniversary of Robert Frank’s The Americans
Also check this out, and make sure to look at the map and interactive contact sheets:
Haunting B+W images produced with an old film camera
Saul Leiter:
http://www.lensculture.com/leiter.html
…
Duane Michals (born February 18, 1932) is an American photographer. Largely self-taught, his work is noted for its innovation and artistry. Michals' style often features photo-sequences and the incorporation of text to examine emotion and philosophy, resulting in a unique body of work…more
|
|
|
|
|
|
|
|
|
Class: |
Updates |
|
|
|
|
Digital Photography Intro At Studio |
|
|
Digital Photography
Elements of Design
|
Suggested Assignments
Ü Suggested output: a series with 5-10 edited images for each study
Lines Create images that use LINES as their basic compositional element. Explore different spaces and objects seeking to create images that reflect the theme clearly and creatively.
Shadows Observe light and shadows and record interesting shapes formed by shadows. Create images that have shadows, shades and silhouettes as the main compositional element.
Reflections Using reflective surfaces such as water, glass, mirrors, metallic surfaces, etc, produce images that show creativity, elegant composition and clear intent.
Textures and Patterns Look around you. Surfaces with different textures and patterns are everywhere. Use your imagination to create images that are unique and creative using different patterns and textures. Wall textures, fabric patterns, nets, scratched surfaces are all inbounds. Let your imagination take over and capture some good ones.
Frames Photographers often use frames to create their images. Trees, architectural structures, vegetation objects can all serve as frames in order to compose a photograph. The use of frames in photography and painting allows the artist to create compositions that are more personal and that allow the viewer to relate to the subject being photographed more closely.
Color Compositions Color and its perception is an essential part of visual arts. Being able to integrate color value and use them in your compositions in a way that serves your intention will allow you to create great art pieces. We will have two installments to this assignement
Reference site:
Analogous Compositions: These are images that use predominantly colors that are color wheel “neighbors”.
Color Contrast Compositions Oposite colors on the color wheel make for very interesting compositions, contrasting cool and warm colors in many different variations. Create images that explore the visual possibilities of contrasting colors.
|
|
|
|
A Few of Our Favorite Photography Sites:
Online Sharing
Fashion & Editorial
Portraits
Classic and Contemporary Art Photograhpy

Experimental
Keith Carter
:: Berend Strik ::_
Weddings & Lifecycle celebrations
Nature
Online Collections, Museums & Galleries

Local Galleries
Stock Photography
Tutorials
Tech Info & Reviews
Associations
Useful Info & Curiosities
|
Student Work |
|
|
|
|
|
|