The Brutal Beauty of Mother Lode

"Listen, this is not just a single story — there are many..." says the narrator, in a soft yet authoritative voice of one who knows. He’s warning the viewer — or is it the protagonist? Likely both, because the story we’re about to witness transcends the mountains of Peru. It is a universal story.

This mysterious narrator — possibly the voice of our collective unconscious — paired with stark, masterful black-and-white imagery, creates a world where reality and myth are indistinguishable. “Mother Lode is a fable,” explains director Matteo Tortone in an interview with Daily Movies (Switzerland).

The film follows a young taxi driver in Lima whose mototaxi breaks down, prompting him to try his luck in La Rinconada — the highest and most dangerous Andean gold mine in Peru. The odds are stacked against him. The game is rigged, as if a devil were pulling the strings. This is the story of workers everywhere, caught under the crushing machinery of unrestrained capitalism and the false promise of fortune.

I was stunned to learn this film was shot on a Sony A7SII — not a $100K Arri rig. The cinematography is exquisite. The writing, editing, and structure are exceptional. This is no ordinary documentary. It’s a film of rare clarity and conviction — grounded in reality, yet free to do what great cinema must: tell its truth, artfully.

Available on Amazon Prime.

Watch the trailer

Sil Azevedo

I was seven years old when I got my first camera, a Kodak Instamatic 133. It was Christmas of 1973. Since then, I have always seen the world through the lens. It is my way of making sense, of visually dealing with paradoxes and complexities of life. In high school I was the lab rat and spent each free minute at the feet of the Beseler enlarger, hypnotized by its magical light. Still today I enjoy low light ambiences. They say photographers do it in the dark. I am living proof - ha! Architecture school followed as photography was not a career option in Belo Horizonte, Brazil. The combination of art, composition, light, form and space, coupled with the demands of physics found in Architecture have their parallel in photography. The concepts are transferable. As I started my career in Architecture, I soon found that I was more excited about the concept and the print than the actual building. Fantasy is my reality. I kept shooting, learning and apprenticing with some incredible artists. In time, as life took its turns, my original passion for photography became my full time profession. It has been almost 20 years since I walked into the pro shop and charged the Hasselblad and the studio lights to my credit card. As he saw the bill and my naive optimism, even the salesman exclaimed, "you're going to have to sell a lot of pictures..." I did and still do, but what drives me is not that. It is the unstoppable desire to understand and to relate. To me, that is photography.

http://silazevedo.com
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Wangari Maathai